Fifty years ago this summer, half a million hippies, beatniks, and long hairs descended upon upstate New York for a three-day music festival. The world would never be the same.
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Max Yasgur probably never imagined he’d host more than 400,000 beatniks, hippies, and freaks on his 600-acre dairy farm in Bethel, New York. Nonetheless, concertgoers came in droves, and enjoyed three straight days of sex, drugs, and rock ’n’ roll.
The Woodstock Music Festival of 1969 is enshrined not only in American music folklore, but in the history of the country itself. In the last month of the last summer of the 1960s, hundreds of thousands of hopeful, optimistic young people came together to celebrate, relish, and share in a generation’s accomplishments. It was billed as “An Aquarian Exposition: 3 Days of Peace and Music.”
But even though it was and has always been known as the Woodstock festival, Yasgur’s dairy farm wasn’t even walking distance from the town of Woodstock — it was 43 miles away.
So how did the most famous music festival in history get misnomered? Who organized it, and what myths about that weekend were mere legend — and which were true?
In addition to the mesmerizing photographs above, we’re going to take a close look at what, how, and why things musically unfolded in upstate New York that weekend of August 1969.
Woodstock Gets Organized
The Woodstock Music Festival was the brainchild of four men in their 20s looking for a viable business opportunity. Since musical innovation blossomed in the 1960s, they wanted to harness its popularity on a grand scale.
John Roberts, Joel Rosenman, Artie Kornfeld, and Michael Lang had an admirable collective résumé to make their attempt viable. Lang had already organized the Miami Music Festival in 1968, and successfully so. Kornfeld was Capitol Records’ youngest vice president ever, while Roberts and Rosenman were young entrepreneurs out of New York City.
The four young friends had a genuine appreciation for music; their music festival was more than a cynical attempt to cash in on popular music. To make the mission official, they formed Woodstock Ventures, Inc. The next step was finding talent to sign on.
When Creedence Clearwater Revival became the first act to agree to perform, in April 1969, Woodstock Ventures landed all the credibility required to curate a respectable roster of contemporary artists. Though the line-up was growing into an impressively curated batch, securing the venue itself was becoming a problem.
The original plan was to hold the Woodstock Music Festival at Howard Mills Industrial Park in Wallkill, New York, which the organizers leased for $10,000.
“The vibes weren’t right there. It was an industrial park,” Roberts later recounted. “I just said, ‘We gotta have a site now.'”
The prospect of having thousands of hippies at the height of the counter-culture movement invade their little town, however, was too troubling for Wallkill officials. The town officially backed out on July 15, and even protected themselves legally by passing laws — including a portable toilet ban — that made it virtually unfeasible to host a festival there.
With the original venue off the table, Woodstock Ventures scrambled for an alternative — but none were compatible with their vision.
One month before the historic, three-day concert, the four young entrepreneurs found salvation in the form of a 49-year-old dairy farmer. Max Yasgur graciously allowed them to rent part of his property. The White Lake area in Bethel, surrounded by the Catskill Mountains, turned out to be exactly what they needed.
Problems Plaguing Preparation
The history of Woodstock is riddled with chaotic problems and spontaneous solutions. Once the venue and talent were locked in, logistics became the primary concern. A music festival requires integrity of access, organized security, and regulation of visitors.
But ticket booths, gates, and completed fencing to cordon off the grounds were nowhere near completed when the masses began trickling in. Bathrooms, concession stands, and a pavilion for the professional performers, too, were utterly lacking before showtime.
Lang later explained that though it might’ve seemed like an oversight, the reasoning was that he and his colleagues felt that other elements — like food and quality entertainment — were more important to guarantee.
“You do everything you can to get the gates and the fences finished — but you have your priorities,” he said. “People are coming, and you need to be able to feed them, and take care of them, and give them a show. So you have to prioritize.”
Their solution was both financially unwise and extremely heartfelt. There was no efficient way to charge attendees, so the four young businessmen decided to do the only thing they could: make Woodstock free.
They lost out on untold amounts of money, of course (which they made up for in part by producing an Oscar-winning documentary of the festival), but their festival has lingered in the minds of millions for half a century — something that arguably would never have happened if they stuck with the original concertgoer cap of 50,000 and delayed ticketing.
Woodstock Ventures pre-sold more than 100,000 tickets, and by August 13, at least 50,000 people were already camped out on the Yasgur property. The final, official numbers of attendees vary greatly, and range somewhere between 400,000 and one million people.
Ultimately, though some had to be evacuated, floods ravaged the campgrounds, and two people lost their lives, the sheer pandemonium expected with such a mass of free-spirited people turned out to be far less anarchic than skeptics would’ve guessed.
“It was big. You knew it was a really momentous and special thing — and I was nervous. The fact that freeways were all clogged for 50 miles around was like, ‘Wow, that’s pretty unusual.’ We were taken by helicopter and dropped at the Holiday Inn and allowed to sleep a little bit, and from there we were taken by helicopter, this shaky old World War II thing that I was also really nervous about; only two of us at a time could fit in it. We arrived in daylight and saw all these people and it was like, ‘Oh my god…’ Once I was on the ground and I looked around I was just nervous the whole time I was there, because with half a million people there were no rules.” – John Fogerty of Creedence Clearwater Revival, 2009.
The lack of sanitation, food, and water was certainly an issue, but Woodstock was a famously peaceful affair. With political assassinations and the Vietnam War underway, the young counter-culture generation was eager to bond, surround itself with music, and unite against unnecessary violence.
“These people are really beautiful,” said the festival’s chief medical officer, Dr. William Abruzzi. “There has been no violence whatsoever, which is really remarkable for a crowd of this size.”
Many attribute this impressive serenity to the ubiquitous use of psychedelics and the “make love, not war” mantra of the 1960s counter-culture. It’s no surprise that many attendees birthed children nine months later.
The highways and streets leading into town were so jam-packed that traffic essentially came to a halt. Some people simply left their cars on the road and headed to camp on foot, while others partied in, on, or around their vehicles.
A little after 5 o’clock on Aug. 15, 1969 — once hundreds of thousands of fans made it to the grounds and settled in — Woodstock finally began. It would become the most celebrated music festival in history.
The Festival Itself: Ups & Downs
The two fatalities at Woodstock were unfortunate accidents. One teenager was run over by a tractor by an unsuspecting driver who didn’t notice a sleeping concertgoer in front of the vehicle. The other died of a drug overdose.
Two deaths in a group of at least 400,000 people, however, could almost be categorized as a success. The medical tent was staffed by volunteer doctors, EMTs, and nurses, though most incidents were minor and ranged from food poisoning and wounded bare feet to fatigue.
It was reported, however, that eight women underwent miscarriages during the three-day festival. Woodstock’s organizers also hired the California hippie commune the Hog Farm to establish a playground for the kids of concertgoers, as well as a free food kitchen and a tent for those who might’ve taken a few too many psychedelics to calm down.
Hog Farm leader, known mainly as Wavy Gravy, would spray seltzer water and throw pies at people overstepping their boundaries.
“We’re the hippie police,” Gravy announced as he stepped off the plane four days before the festival began.
In terms of security, only about 12 law enforcement officers were in charge of policing an estimated half a million people.
As this was a festival for the people, by the people, and at the height of anti-war and authority movements, off-duty cops were not even allowed to attend Woodstock as private citizens. How that was enforced is unclear, but the employed ethos of anti-establishment was certainly very present.
Nonetheless, the mob of hippies who took over the town made a remarkably positive impression on its citizenry, including the police.
“Notwithstanding their personality, their dress, and their ideas,” said the head of Monticello Village Police Department near Wallkill, “they are the most courteous, considerate and well-behaved group of kids I have ever been in contact with in my 24 years of police work.”
“When our police cars were getting stuck,” another cop confessed, “they even helped us get them out. It was really amazing. I think a lot of police here are looking at their attitudes.”
Of course, Woodstock would be nothing but a massive three-day summer camp without the actual music — and there were some legendary acts on stage over those three days in August. From promising local talent to globally-adored icons, the lineup was one to remember.
Woodstock: Musical Legends Take The Stage
Thirty-two professional acts performed at Woodstock, with an open mic on the Free Stage available to attendees ready to show their talent off to each other. The first day began on Friday, Aug. 15 around 5 p.m. when Richie Havens took the stage.
“I was supposed to be fifth on stage, and no one at the whole festival went on when they were supposed to. I came in on one of those glass bubble helicopters and saw Tim Hardin under the stage, sort of playing by himself. I knew he wasn’t going on first. I didn’t want to, either, but I had the least number of instruments, so…I thought, ‘God, three hours late. They’re gonna throw beer cans at me. They’re gonna kill me.’ Fortunately the reaction was ‘Thank God somebody’s finally going to do something.’ They were happy. I was supposed to sing for 40 minutes, which I did, and I walked off the stage and the people were great, and then (the organizers) said, ‘Richie, four more songs?’ ‘OK.’ I went back on and they were still clapping, so I sang four other songs, went off again, then I hear, ‘Richie, four more songs?’ They did that to me six times. Two hours and 45 minutes later I’d sung every song I know.” – Richie Havens, 2009.
His two-hour set was followed by Indian spiritual master Satchidananda Saraswati performing an unscheduled blessing for the crowd. This was followed by sets from Sweetwater, Bert Sommer, Tim Hardin, Ravi Shanker, Melanie, and Arlo Guthrie.
Joan Baez, who was six months pregnant, was the last act of the night. The venerated folk singer famously finished her set around 2 a.m. on Aug. 16, as the pouring rain washed away the first day of the Woodstock Music Festival.
“It was a once in a lifetime thing for me. (Playing on the free stage) was a riot. Whoever was officially taking names and putting people in order didn’t recognize me. I was just one of the lineup. I think I just gave my name as Joan. I went out on the stage and I’m not sure what I sang, but I remember this guy at the top of the hill, in the back…with no clothes on and flowers in his hair and a long beard. And he started to dance through the crowd toward the stage. So I just cut one of the songs so I could bow politely to him and leave before he made it to the stage and got up there with me.” – Joan Baez, 2009.
“The whole thing is a gas,” said one long-haired concertgoer nick-named Speed, according to The New York Times. “I dig it all, the mud, the rain, the music, the hassles.”
Though the first day’s lineup was impressive, it got spectacular once the sun came up.
“It was like witnessing an ocean of hair, teeth, eyes, and hands. If you closed your eyes, you could forget the impact of seeing a moving ocean of flesh. Then you could just feel the sound, which had a different kind of reverberation when it bounced off the people and came back at you….I remember seeing Jerry Garcia; as soon as we landed, he was already playing his guitar on the hill with this beautiful, blissful smile on his face.” – Carlos Santana, 2009.
Shortly after noon that Saturday, many musicians took the stage: Quill, Country Joe McDonald, Santana, John Sebastian, Keef Hartley Band, The Incredible String Band, Canned Heat, Mountain, The Grateful Dead, Creedence Clearwater Revival, Janis Joplin and The Kozmic Blues Band, Sly and the Family Stone, The Who, and Jefferson Airplane.
“When we left Los Angeles we flew all night to get to Woodstock. We had heard there were 200,000 people already there, which was amazing, and by the time we got there everything had changed. It was no longer the 200,000; it was out of control as far as we could tell. We didn’t know what to expect, but we went in there…in a little helicopter, sort of hanging out on the pontoon of the helicopter. And backstage we were having a totally different experience than the audience. There was a lot of creature comforts — there was friends, there was food, there was good smoke, booze, whatever. We weren’t experiencing the same environment that the rest of the people were. Then when we got onstage, we didn’t know there were 500,000 people there. It was pitch black. After the first few songs we still weren’t sure if there was anyone there; it was three in the morning and it was getting pretty quiet. People had had a fairly long day. And then some guy way the hell out there yells, ‘We’re with ya!,’ and we were like, ‘OK, well, that’s the guy the concert’s for,’ and on we played. The next day we played for 5,000 people somewhere, and it started to dawn on us what we’d just been at, that we’d probably never see anything like that or experience an event like that again.” – Stu Cook of Creedence Clearwater Revival, 2009.
Day two ended at 9.45 a.m. on Sunday, Aug. 17 — a little more than four hours before Joe Cocker kicked off day three. He was followed by Country Joe and The Fish; Ten Years After; The Band; Johnny Winter; Blood, Sweat & Tears; Crosby, Stills, Nash & Young; Paul Butterfield Blues Band; She Na Na; and Jimi Hendrix.
“It was kind of nerve-wracking for us. It was only our second show. Everybody we knew or cared about in the music industry was there. They were heroes to us — The Band and Hendrix and The Who….They were all standing behind us in a circle, like, ‘OK, you’re the new kids on the block. Show us….'” – David Crosby, 2009.
While Hendrix’s set at Woodstock has arguably been the single most famous and widely viewed part of the festival in decades since, the fact that his set was delayed due to rain until Monday morning is a lesser known part of his legendary appearance.
Those who performed at Woodstock in 1969 successfully enshrined themselves in music history. Those who attended as mere fans, too, have had a story to tell that only a fraction of the world can claim.
But there were a few other acts who declined to perform, and likely regretted that decision for the rest of their lives. Among them were Simon & Garfunkel, Joni Mitchell (who later wrote the song “Woodstock” to commemorate the historical gathering), Led Zeppelin, Bob Dylan, The Byrds, The Moody Blues, The Doors, Roy Rogers, John Lennon, Chicago Transit Authority, and The Rolling Stones.
For the latter, of course, the Altamont Speedway Free Festival that December would provide them with a similar opportunity. But that concert was famously plagued by stabbings, caused by a reactionary faction of the Hell’s Angels who worked security.
In the end, there was never anything like Woodstock before — or since. The times were different, where one massive festival could become the focal point of an entire generation.
When Hendrix got to the stage at 9 o’clock on Monday morning, there were only about 30,000 people left in the audience. The festival had only been scheduled to last until Sunday night, and many people had to get back to their lives.
But leaving Bethel, New York wasn’t as easy as people thought. With the same traffic issues that confronted attendees during their commute in, the same highways and roads clogged up and jammed in a matter of minutes.
For Yasgur and the four young festival organizers, of course, the event was far from over. A monumental cleanup session awaited — one which took days, cost tens of thousands of dollars, and required bulldozers to complete.
Woodstock Ever After
This world-renowned, historically significant, massive, three-day pinnacle of 1960s counter-culture momentum would never have happened if it weren’t for Max Yasgur and his supportive wife, Miriam. For him, it was all worth it — and instilled in him a sense of optimism of the young, new generation.
“You’ve proven something to the world,” he told the audience on the last day. “That a half a million kids, and I call you kids because I have children who are older than you are, a half a million young people can get together and have three days of fun and music and have nothing but fun and music. And God bless you for it!”
Of course, The New York Times begged to differ in its coverage following the festival. The editorial section called the three-day event “an outrageous episode,” and asked, “What kind of culture it is that can produce so colossal a mess?”
And now, 50 years later, you can go up on a hill at the Bethel Woods Center for the Arts and stand on the hallowed ground where the Woodstock Music Festival took place. The center opened in 2006 with an outdoor concert venue and a 1960s museum.
Some of the acts who performed there in 1969 have returned to play shows in the decades since. Some died before they got the chance. Generations have come and gone since that one magnificent weekend in the summer of 1969.
For most of us, it’s always been mere legend — one we couldn’t see, touch, or be a part of. But for a few hundred thousand lucky souls, it was the greatest moment of their lives — one made all the more mythical by the photographs that forever captured that moment in time.
After exploring the Woodstock Music Festival of 1969 in 45 mesmerizing photos, take a look at 29 raw images of the 1990s rave scene at its zenith. Next, check out these incredible photographs of New York in the summer of 1969.